The Rise and Fall of “Walk Like an Egyptian”

In the mid-1980s, The Bangles, a pop-rock band, reached the peak of their success with their first No. 1 hit. Despite its fame, this track caused internal tensions within the band and would eventually be banned by radio stations years later.

“Walk Like an Egyptian” was a departure for The Bangles, as it was not written by the band members but was a demo by Liam Sternberg. This track, inspired by Sternberg’s experience on a ferry crossing the English Channel, brought the band both breakthrough success and inter-band drama.

Initially meant for Toni Basil, who rejected it, “Walk Like an Egyptian” was later recorded by Lene Lovich but never released. It was ultimately given to The Bangles by David Kahne, even though the band initially thought it was too weird to record. Despite their reservations, the track soared to No. 1 on the Billboard Hot 100 charts, marking their first major hit.

Members Vicki Peterson, Michael Steele, and Susanna Hoffs each had a verse in the track, while Debbi Peterson ended up on background vocals. This decision led to a “silent argument” among the band members, ultimately changing their branding as original songwriters. The success of “Walk Like an Egyptian” did not prevent the band from breaking up in 1989.

Following the events of 9/11 in New York City, “Walk Like an Egyptian” found itself on a list of over 160 tracks deemed inappropriate for radio play by Clear Channel Communications. The song’s ban reflected a shift in societal sensibilities and marked a significant change in the cultural landscape.

In the world of music and fashion, The Bangles and their hit track “Walk Like an Egyptian” remain a memorable moment in pop history, showcasing both the band’s success and the challenges they faced. The track’s journey from rejection to No. 1 hit to radio ban serves as a reminder of the ever-evolving nature of art and culture.

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