In a world where horror movies reign supreme, one supernatural film from 2008 has found itself at the very bottom of the remake rankings. According to Rotten Tomatoes, “One Missed Call” is now considered the “worst remake” of all time, receiving a rare 0% critics’ score for its lackluster storytelling and absence of scares.
Critics pulled no punches in their assessment, describing the film as one of the weakest entries in the J-horror remake genre. They criticized the bland performances and overused shocks that failed to deliver any real fear to audiences.
Directed by Éric Valette and starring Shannyn Sossamon and Edward Burns, “One Missed Call” is an American remake of a 2003 Japanese horror film. The concept of deadly phone calls predicting victims’ deaths held promise, but the execution fell flat, according to critics.
Despite its release on Jan. 4, 2008, “One Missed Call” failed to impress both critics and audiences alike. With a low audience score of 29%, it became clear that the film did not meet the expectations of viewers searching for a truly terrifying experience.
The film’s problems extended beyond just poor acting and predictable scares. Critics also noted inconsistencies in the storytelling, with some deaths feeling unrelated to the main plot and confusing details that broke the established rules of the film.
Despite its moderate box office success, “One Missed Call” will always be remembered as one of the lowest-rated films of the 2000s and a cautionary tale of how not to approach a foreign horror remake. Compared to its original Japanese version, which was praised for its atmosphere and storytelling, the American remake failed to capture the same magic.
In the world of horror movie remakes, “One Missed Call” serves as a stark reminder that sometimes the scariest stories are the ones that stay true to their roots.
Peace Nero is a writer and blogger who loves to explore different topics of self-development. She shares her personal experiences in order to help people discover their true purpose in life.
